An idea kept coming back in most branding projects I worked on in the past years: what if we embedded data in the logo? Real data, not symbols of information but information itself. Data that meant something for the client, that would shape the logo and create something unique. This idea came back again earlier this ye
It even comes with adapters for different plug sockets.
We sit down with Doom Eternal art director Tony Garza and fellow id alum Richard O'Neal to hear about their journey into the world of indie development through Turnkey Games.
Artem Bieliakov spoke about the creation process behind The Widow of Feathers project, explaining how he built the layered costume starting with a silhouette, how he refined the folds, seams, and the ornaments, and discussing how he created the bird and its feathers.
Virtue and a Sledgehammer, the latest from Devolver Digital, asks: Why is it so fun to break things? One scientist tells Polygon the answer.
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